Just by watching Lupe stuck at home in her robe and slippers, no one would will guess that in the 80's she was a rock star. Gone are the times of concerts, fame and success. Agoraphobia does not let her leave home. She depends entirely on Paquita, his mother, a superstitious Mexican, with a huge heart, which not only takes care of his daughter but also her teenage grandson. The problem is that Paquita is running out of time and she doesn't want to leave without getting her daughter back.

A high school becomes ground zero for a zombie virus outbreak. Trapped students must fight their way out — or turn into one of the rabid infected.

A group of college friends rent an Airbnb for the biggest music festival of the year. But their weekend of partying quickly takes a turn, as the group is murdered one by one, in correspondence with the seven deadly sins.

Two friends who run an online channel have embarked on the strange and unusual for years when they decide to search the deep underbelly of the dark web for something known as Dark Web Mystery Boxes. Soon they find themselves stalked by a group who run online torture rooms known online as Red Rooms.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.

A group of disconnected people are brought together by a string of awkward events in post-9/11 Manhattan. A body-snatcher (Mia Tyler) is gathering dead bodies off the streets and no one seems to know why, especially the two detectives (Eddie Steeples, Peter McNolte) who are assigned to find her.

Repurposing the video game Sleeping Dogs (2012), IN THE LONG RUN//WE ARE ALL DEAD is a single-take experimental machinima that unfolds within the rain-soaked, neon-lit streets of a virtual Hong Kong. Operating within the aesthetics of neo-noir, the work constructs a relentless pursuit—an enigmatic chase where the identities of both the pursuer and the pursued remain ambiguous. Sirens wail, bullets ricochet, and rain distorts the cityscape, reinforcing the sense of perpetual movement and existential uncertainty. Who is the runner? What is the nature of their escape? Is there an endpoint, or is the pursuit itself the defining condition of this digital existence? Offering no resolution, the machinima foregrounds the mechanics of pursuit as a metaphor for the relentless temporality of virtual worlds and the cyclical nature of digital violence.

Where Are They Now? was a television series on VH1 that featured past celebrities and updated on their current professional and personal status. Each episode was dedicated to another genre.Though not always in sequence, some episodes were a continuation of the motif of episodes from the past. Those episodes sometimes had Roman numerals in their title to signify their sequel status.

Where Are They Now? was a television series on VH1 that featured past celebrities and updated on their current professional and personal status. Each episode was dedicated to another genre.Though not always in sequence, some episodes were a continuation of the motif of episodes from the past. Those episodes sometimes had Roman numerals in their title to signify their sequel status.

Uesugi Ren and his sister Mihato ran away from home because of domestic violence. When they at last reach the city they have a hard time finding work to earn some money. They eventually enter the service of the Kuonji family, making a pledge of absolute loyalty. Thus Ren's days of being a butler to the demanding Kuonji heir begins...